Sunday, 1 February 2009

Coventions of a Thriller

  • A crime at the core of the narrative (often murder, but not necessarily)
  • A complex narrative structure, with false paths, clues and resolutions.
  • A narrative pattern of establishing enigmas which the viewer expects to be resolved.
  • A protagonist who is systematically dis-empowered (captured) and drawn into a complex web of intrigue (lots of problems that must be solved) by the antagonist.
  • Extraordinary events happening in ordinary situations.
  • Themes of identity.
  • Themes of mirroring.
  • Themes of voyeurism (spying. watching, sometimes shown in point of view shots).
  • Protagonist with a flaw (character defect) which is exploited by the antagonist.
  • Titles often reflect an aspect of the protagonist/antagonist's psychological state.
  • There is often a scene near the end of the film in which the protagonist is in peril.
  • Misé en Scene which echoes/mirrors the protagonist's plight.

1 comment:

  1. Well done Neelam, lots of relevant and perceptive points here.
    I remember being absolutely terrified when I first saw "Seven". Isn't the ending powerful!

    Mr Williamson

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