- A crime at the core of the narrative (often murder, but not necessarily)
- A complex narrative structure, with false paths, clues and resolutions.
- A narrative pattern of establishing enigmas which the viewer expects to be resolved.
- A protagonist who is systematically dis-empowered (captured) and drawn into a complex web of intrigue (lots of problems that must be solved) by the antagonist.
- Extraordinary events happening in ordinary situations.
- Themes of identity.
- Themes of mirroring.
- Themes of voyeurism (spying. watching, sometimes shown in point of view shots).
- Protagonist with a flaw (character defect) which is exploited by the antagonist.
- Titles often reflect an aspect of the protagonist/antagonist's psychological state.
- There is often a scene near the end of the film in which the protagonist is in peril.
- Misé en Scene which echoes/mirrors the protagonist's plight.
Sunday, 1 February 2009
Coventions of a Thriller
Subscribe to:
Post Comments (Atom)

Well done Neelam, lots of relevant and perceptive points here.
ReplyDeleteI remember being absolutely terrified when I first saw "Seven". Isn't the ending powerful!
Mr Williamson